[of course he'd like it, of course. Tony goes back to his work and Slick stays close to Steve because apparently he loves Steve now.
And after a few songs Yesterday starts, and Tony immediately stops what he's doing]
JARVIS skip that one. Play Twist and Shout.
[JARVIS does as told and Tony turns back to his screen super casually, though it's obvious that whatever he's doing isn't what he was doing earlier, since now he's typing a lot]
[Tony doesn't register anything wrong until about forty seconds in and by then it's too late to stop it. He turns around and just sort of watches Steve.]
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Thanks, Slick.
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What are you doing? You're supposed to be working— [the bot turns to Tony in apparent alarm] No, not you, him. You're fine, keep it up.
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[ he is indeed already drawing on the sketchpad again. ]
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Captain Rogers, any preference?
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JARVIS try the Beatles. Do the whole discography, maybe we can indoctrinate him if we start there.
If you say so, sir.
[and JARVIS starts playing Please Please Me]
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[ but he just listens for a bit before returning to the pad. whenever he pauses his pencil taps lightly on the paper in time with the music. ]
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And after a few songs Yesterday starts, and Tony immediately stops what he's doing]
JARVIS skip that one. Play Twist and Shout.
[JARVIS does as told and Tony turns back to his screen super casually, though it's obvious that whatever he's doing isn't what he was doing earlier, since now he's typing a lot]
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Everything okay?
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Honestly JARVIS, pull the list I'll do it manually.
[and a minute later]
... yeah, yeah fine you're right.
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AND THEN A FEW SONGS LATER Here Comes the Sun starts playing.]
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— after a few moments he catches Tony watching and clears his throat, immediately looking back down at the sketchpad. ]
Who did you say they are?
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[ gives him a brief smile and returns to the drawing with renewed determination. ]
I like them.
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