[Slick seems to enjoy the attention and once he's set the tool box on the table, he follows Steve back to his seat. Meanwhile Tony is back to talking while working]
He knows how to do it, we worked on it, he can recognize the tools and knows where they go... god, okay. I can have this done. In... JARVIS?
He knows me better than anyone and he doesn't mind. Now JARVIS, an actual approximation— don't, don't schedule in a nap, for god's sake. Display it on the screen.
As you wish, sir.
[Slick tilts its claw curiously at the pencil, and opens its finger-things as if to reach for it... but doesn't actually reach for it]
[of course he'd like it, of course. Tony goes back to his work and Slick stays close to Steve because apparently he loves Steve now.
And after a few songs Yesterday starts, and Tony immediately stops what he's doing]
JARVIS skip that one. Play Twist and Shout.
[JARVIS does as told and Tony turns back to his screen super casually, though it's obvious that whatever he's doing isn't what he was doing earlier, since now he's typing a lot]
[Tony doesn't register anything wrong until about forty seconds in and by then it's too late to stop it. He turns around and just sort of watches Steve.]
no subject
He knows how to do it, we worked on it, he can recognize the tools and knows where they go... god, okay. I can have this done. In... JARVIS?
It depends sir, should I schedule in a nap?
—see what happens when you spoil your bots?
no subject
[ . . . showing Slick his pencil? ]
no subject
As you wish, sir.
[Slick tilts its claw curiously at the pencil, and opens its finger-things as if to reach for it... but doesn't actually reach for it]
no subject
no subject
no subject
Thanks, Slick.
no subject
What are you doing? You're supposed to be working— [the bot turns to Tony in apparent alarm] No, not you, him. You're fine, keep it up.
no subject
[ he is indeed already drawing on the sketchpad again. ]
no subject
no subject
no subject
Captain Rogers, any preference?
no subject
no subject
no subject
no subject
JARVIS try the Beatles. Do the whole discography, maybe we can indoctrinate him if we start there.
If you say so, sir.
[and JARVIS starts playing Please Please Me]
no subject
[ but he just listens for a bit before returning to the pad. whenever he pauses his pencil taps lightly on the paper in time with the music. ]
no subject
And after a few songs Yesterday starts, and Tony immediately stops what he's doing]
JARVIS skip that one. Play Twist and Shout.
[JARVIS does as told and Tony turns back to his screen super casually, though it's obvious that whatever he's doing isn't what he was doing earlier, since now he's typing a lot]
no subject
Everything okay?
no subject
no subject
no subject
Honestly JARVIS, pull the list I'll do it manually.
[and a minute later]
... yeah, yeah fine you're right.
no subject
no subject
AND THEN A FEW SONGS LATER Here Comes the Sun starts playing.]
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)